If you happen to come upon a tangled piece of driftwood on the
beach or an interesting twisted log in the woods, and wonder what
implied images it might contain, there's a man here who you can
ask: Bruce Struik, who has developed his intuitive ability to
visualize shapes and patterns barely suggested by natural forms.
Bruce's love affair with Beaver Island began long ago when, after
getting his degrees (in geography and social science) he and some
friends came to Beaver Island, acquired a piece of land on the
lower east side, and started right in to build a cottage, Yesteryear,
from the available materials: primarily stone, plus some massive
(16" x 16") hewn beams delivered by Jewell Gillespie
for $25 each. The friends built 2'-thick wall forms and filled
them with fieldstone and mortar (35 tons each), and then set the
beams across the width of the house.
Life took Bruce away from the Islandto run Hope's Big Brother
program for 10 years, and then to open a gourmet restaurant for
13, but once he went back to his first love, teaching, he at least
could spend summers here. In addition to the meals he served at
the Christian Church, he became known for his found wood
creations beginning in 1971, which appeared at the BIHS Art Show
and in local galleries. In the genre of bringing a table or a
bookcase or a lamp out of something wild, he is a recognized master.
The things he picks up on his walks on the beach and in the woods
can prove reluctant to give up their secretssome finds have
been sitting on a long table outside Bruce's home for over twenty
years. But once an idea comes to him, he sets to work in his outdoor
shop, cutting and carving and sanding and gluing and varnishing
until something really quite remarkable appears.
His sculptor's sensibility has found expression in
a second arena: gardening. He started with a few rocks pulled
off the beach, placing them to make a raised bed. One thing led
to another, and suddenly his home was surrounded by gardens using
rocks ranging to boulders to create beds and paths and ponds and
hillsand even a waterfall. Now, with two interests to take
his mind off his health problems, he has put himself in an ideal
position for stimulating his aesthetic explorations: working furiously
in his garden, he is likely to suddenly see something inside the
chunks of wood sitting in his rack, and when he's polishing another
burl or tangled root he might conceive of the perfect esoteric
flower to add to his extensive plantings.
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